Bahauddin Dagar (pt. 2)

In part two of our interview with Bahauddin Dagar, he delves deeper into the concept of shruti and how even shadja (sa) and pancham (pa) can change from raga to raga. He also reflects on the spiritual dimension of dhrupad and whether this music can be adapted and fused with other genres while preserving its essence.

The interview concludes with a rudra veena alaap in Raga Megh performed on the birthday of his father in 2022.