Wasifuddin Dagar

Wasifuddin Dagar, a singer in the 20th generation of the Dagar family line, explores the concept anahata naad (अनहत-नाद) or unstruck sound. His comprehensive approach to dynamic expression is complemented by his deliberate creation of auditory space, allowing the silence within the music to resonate—an integral facet of the Dagar family's rich tradition.

Wasifuddin breaks down the influence of not just his father Nasir Faiyazuddin Dagar and his uncle Nasir Zahiruddin Dagar, who together comprise the Junior Dagar Brothers, but his whole extended family of musicians, as well. He talks about how an artist may emphasize techniques that suit their own character and personality. One technique he demonstrates is "spruti", a vocal imitation of a bell ringing-like sound brought from the veena into vocal expression. Wasifuddin also explains some of the unique tonal and linguistic characteristics of the Dagar Bani tradition which came from Behram Khan (his grandfather’s grandfather) and the importance of "ucchaaran" (pronunciation).

Wasifuddin breaks down his concept of the five Ps (pitch, pulse, pause, perfection and purity), as well as the seven seen and seven unseen notes in the music. Finally, the relationship of the performer to the raga as two individuals is briefly explored.

The interview and music final demonstration of Raga Miyaki Malhar are from dhrupad workshop at Santori Wellness Center in North Goa, thanks to Nitish Bhardwaj.